Understanding the differences between traditional, progressive and project-based curriculums may help in navigating an unknown future.
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progressive school
I want to take you through the steps of a fun, woodworking project: the making of a simple wooden wall sconce. This is a lamp that hangs on the wall and provides soft, diffuse light from behind a sculptural shade. The shade is built from a wooden frame with translucent fabric or heavy paper stretched over the center. These lamps can be abstract or representational. Depending on the wattage of the bulb they can be a serious source of light or a nightlight.
At Portfolio every day is maker day. However, we are always searching for ways to provide our students with even more opportunities to learn and apply design and making skills. To expose them to a wide panorama of making possibilities – from woodworking and welding to cooking, sewing and robotics. That way, they can apply these skills to their everyday work, individual projects, and inquiry-based unit projects.
…my great-grandfather and my grandfather were both optical scientists, so there is a tradition in my family of being able to make anything. My grandfather worked for Kodak, and he invented one of the first pacemakers. He and I spent many afternoons building things together!
While the struggle of boys in traditional school models is made clearly evident to parents, that of girls is not nearly so visible. For one thing, girls are socialized early to meet and exceed expectations of “good behavior”. Girls in traditional schools demonstrate daily the skills they have spent their preschool years mastering: compliance and competence. Their early expertise in self-regulation (raising one’s hand before speaking, taking turns) comes at the expense of self-confidence, inhibits risk-taking for fear of failure, and undervalues pushing boundaries.
Every time children create a project they are consciously engaging in constructing a public entity (e.g., an artifact, document, or artistic exploration). This entity represents a piece of the children themselves—their thoughts, their feelings, their adventures, and their learning.
Portfolio brings the d.school experience into elementary school and seeks to redesign the meaning of creativity in formal learning.
"Amidst graduates from some of the best high schools around the world, I was struck by the intelligence that surrounded me. Yet, I felt better prepared for school and life at Columbia. While they had no problem taking notes in lectures or studying for exams, in seminars where deep learning happens at college and when relationships are formed with professors I found myself speaking up on the literature, proposing questions and interacting with texts while they worked to feel comfortable doing so."